But the woman, from her marginality, is the great protagonist: she carries passions, faces the greatest dangers, while the man is only her sidekick. Rosaura Albina is the owner of a brothel, to whom a couple of birds appear in her old age, who later turn into an old woman and a girl . And it was the old woman who announc to her: “Rosaura, the flood will reach you by letter.” From this point on, the novel will become a chain of stories through various linguistic registers, where colloquial and intimate registers prominate.
As a chronicle Some friends ask me to talk about you, Rosaura Albina, about your great flood, as if life were a simple feast, a vulgar spectacle that you can tell the dog and the cat whenever you Middle East Mobile Number List see fit. life and its chaos lead to so many crazy things. And you, Rosaura Albina, found a brothel in the sandy areas of Chimbote; However, now no one can blame you for anything because all this has to do with what that famous Uruguayan once said: that we all have the right to be delirious.
The pictorial representation of Las Meninas, like the writing of Los Zorcos, as we will see later, aspires to totality. The painter is present in the ensemble, although not in the process of creating Las meninas, but in painting the royal couple; but fundamentally what is present, and is summon and incorporat into the representation as a whole, is the place from which the organization of the representation becomes possible. That is to say, the mirror in Las Meninas fulfills a function analogous to that of a discursive structure and a rhetorical procure in the representation as a whole, by fulfilling its particular function of reflecting the objects, and in this way making the blind spot evident from of which its representation is organiz and articulat (Rivera, 2011, pp. |
